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Michelangelo vs. Bernini. What is the meaning of the work Dream Caused by the Flight of a Bee Around a Pomegranate by Salvador Dali? Are there trends in painting

Miguel Angel, David , 1501-1504

Miguel Angel Creation of Adam, 1510

Gian Lorenzo Bernini, St. Peter's Square , 1656-1657

Gian Lorenzo Bernini, bliss of Santa Teresa , 1647-1651

Why so much talk of Michelangelo and Bernini not elevate both? What is the meaning of the work of Dalí, Dream of a Bee around a Pomegranate ? Jaime, Guadalajara, Mexico

Jaime Thanks for your questions. Michelangelo, Gian Lorenzo Bernini were painters, sculptors and architects, but lived at different times. Miguel Angel belonged to the Renaissance and Baroque Bernini belonged to the movement. Miguel Angel was the most important sculptor of the Renaissance and one of the most important sculptors in the history of art. His work David is one of the most famous sculptures, is also Mercy and Moses important. In addition, he painted the ceiling of the Sistine Chapel, where he painted the Creation of Adam, which is the most famous image that was there. As an architect, made the dome of St. Peter and his work more important. The most important work of Bernini as architect of St. Peter's Square and as a sculptor is the Ecstasy of St. Teresa. As a painter, Bernini did not excel very much. When compared to two artists is all important body of work, quality, size and diversity of the work. And as you can tell Jaime, Miguel Angel has more merit than Bernini about this.

Salvador Dali, Dream Caused by the Flight of a Bee around a Pomegranate, a second before waking , 1944

To answer your second question, the work of Dalí to which you refer is a surrealist work. Surrealism is about dreams and unreal things of the imagination. So you can not give real meaning to the images we see. Surrealism is not a reading based on real life. It has a visual reading only, where imagination and unreal is the most important. The name of the book is Dream Caused by the Flight of a Bee around a pomegranate one second before awakening. The very name of the book tells you what is happening and what will happen. Who is dreaming is Dali, who heard the buzzing of a bee in his sleep and dream what you see in the picture, the body of his wife Gala is levitating. When you wake up everything is going to disappear, guns, lions, fish, elephant and his wife. This work has no meaning, the value of a surrealist work is only visual and aesthetic.

Jaime, I hope my answer was to your liking. Augusto


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Doris Salcedo, Untitled, 1996

Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living , 1992

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I would like to know if there are still painting bounded flows, as developed during the century isms past, like the Dadaists, Surrealists, etc..? Fer, Barcelona
Please

your question Fer. So far, there are three trends that are fashionable, installations, conceptual art and video art. However, there are still many artists in Latin America and the world who paint pictures. No new movement has emerged as a pictorial art in the twentieth century, such as you mention, the surreal, dada, or abstract expressionism, minimalism and concrete art. I mean by pictorial painting movements only. The technology is prevalent in the world now and artists are influenced by that and they convey what they live. Do not forget that an artist and his work is the product of the society in which they live. Surrealism began in 1924 until 1945, when they failed to get out more pioneering artists and founders of the movement, such as Jean Arp, Joseph Cornell, Salvador Dali, Rene Magritte, Man Ray, Yves Tanguey etc. But the world still continues to paint surrealist art and these artists are still surreal. Also pop art began in 1955 until 1970, having leaders in the movement to Richard Hamilton, Andy Warhol, Roy Lichtenstein, Tom Wesselman, Claes Oldenburg, Robert Indiana, Ed Rush and Wayne Thiebaud, but it is still doing pop art in the world . I think there will always be artists of these movements.

Recent movements were painting graffiti art, which began in the mid-1970s until 1985, and Neo Expressionism, also mid-1970s until 1985. Graffiti art had the greatest exponents of Jean Michel Basquiat, Keith Haring and Alex Vallauri. Neo Expressionism was Georg Baselitz, Sandro Chia, Jose Maria Sicilia, Jorg Immendorff, Anselm Kiefer, Mimmo Paladino and Chema Cobo. It has been 25 years and has not developed any new movement in painting.

Moreover, recent art movements have not made manifest, which are the bases of the movement in particular, where they say how to paint and why. The latest move was made a manifesto of surrealism, which wrote the poet Andre Breton in 1924, the Manifesto of Surrealism ", which was like the birth certificate Surrealism.

One of the trends that are fashionable in our days, the facility has representative artists as Pepón Osorio, Mona Hatoum, Cristina Lucas, Priscilla Monge, Doris Salcedo and Leandro Elrich. Among the artists are Damien Hirst's conceptual art, Hans Haacke, and Alberto Antonio Muntadas Baray and video art are Bill Viola, Pola Weiss, Alfredo Jaar, Fernando Falconi, Adria Julia and Diego Lama.

Fer, and artists are a reflection of society and society has broken down a bit, then the artists do not come together as did the Dadaists and the Surrealists, there is no new movement in painting. At this point there is no movement painting again.

I also believe that we have reached a saturation of the art technology and has started the retro art, which would be a return to the landscape, portraits and primitive things. I know several artists who are currently doing portraits and landscapes. So, we started the season as I would call retro art.

Thanks for your question and I hope my reply has answered your question. Augusto

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You wanted to know about the Russian Avant-garde?

Did know about the Russian Avant-garde, what moves, what it is and why the name? Mariana Mendoza, Argentina


Dear Mariana, all works of art belong to an artistic movement. That's half the fun for the observer in the art. If you know it, you'll appreciate more the work.


The first movement in Russia was The Itinerant that began in 1870 and ending in 1923. The main artists of this movement were: Ilya Repin, Vasily Surikov, Kramskov Ivan, Nikolai and Vladimir Makovsky Katsakin. Itinerant artists was an association of socially and politically motivated, his goal was to paint the rural landscape and urban social conditions of life daily, imposing a stiff reaction to the conservatism of the Imperial Academy of Arts in Saint Petersburg. Its purpose was that his work more accessible to a geographically and economically diverse audience. Travelers wanted to teach the strengths and difficulties of the country in a loving way, nationalist but realistic. This movement is called Itinerant because their traveling exhibitions throughout the country.

Ilya Repin, The Volga Barge Haulers , 1870, 73

World of Art, is the second movement in Russia, which existed from 1898 to 1906. Its main representatives were Leon Bakst and Sergey Diaghilev, Dmitri Merezhovsky and Mikhail Vrubel. It was a movement of artists, writers and musicians founded in 1898 in St. Petersburg by the employer of Sergey Diaghilev ballet. The group published a magazine called Mir Iskusstva and art exhibitions held abroad who helped establish the art Symbolist and Art Nouveau in Russia, trying to counter the movement with an emphasis on social Travelers. This art movement was against what they taught in art schools. They used light colors and simplified compositions primitives.

Mikhail Vrubel, Swan Princess, 1900

Neo Primitivism began in 1908 and lasted until 1912. The main artists of this movement were Natalia Goncharova, Mikhail Larionov, Marc Chagall, Kazimir Malevich and Vladimir Tatlin. It is a movement that was inspired by children's art, images of Russian Orthodox icons and folk art. His art was very colorful painted with force and did not have the traditional illusion of perspective.

Marc Chagall, 's Birthday, 1915

The fourth movement was Rayonism, from 1912 to 1914. The main figures were Natalia Goncharova, Mikhail Larionov and Sergei Romanovich. Rayonism name was placed by the painter Mikhail Larionov. appeared in the Manifesto Rayonist in Moscow in 1913. The INDICATED announced that Rayonism was the synthesis of Cubism, Futurism and Orphism. The scratches can be figurative paintings, portraits, landscapes or completely abstract but all had lots of color, were painted vigorously and characterized by an emphasis on lines that were called rays, which were derived from the Futurist "lines of force." The beams were intended to express new ideas of "continuation of space and time", made by physicist Albert Einstein and Ernst Mach and test the feel of the fourth dimension. Rayonism short-lived because Larionov and Goncharova moved from Moscow, but left to artists Russians abstraction.

Natalia Goncharova, El Bosque , 1913

El Cubo Futurism is the fifth Russian movement began in 1913 and completed in 1914. Its main figures were Natalia Goncharova, Mikhail Larionov, Liubov Popova, Olga Rozanova and Kazimir Malevich. This movement incorporated neo primitive subjects derived from folklore, icons and children's art. surface in a cubist style and futuristic setting tubular shapes against geometric funds evoking a mechanical world related to the contemporary work of Leger.

Olga Rozanova, City on Fire , 1914

The Constructivism was the sixth Russian movement began in 1913 until 1923. The main representatives are Naum Gabo, Lyubov Popova, Aleksandr Rodchenko, Olga Rozanova, Vladimir Tatlin. This movement rejected fabric paint designs for utilitarian objects with the intention of mass production. After watching the first assembly of Picasso with sheet metal and metal strings and seeing their collages and paintings were made of three dimensions, Tatlin returned to Russia. He began making his counter-reliefs, abstract assemblages industrial metal, ropes and wood were the first abstractions in the history of sculpture. This was an emphasis on space rather than the traditional sculpture because the concern was the mass. In 1925 the Communist Party ruled against abstraction and in 1932 all cultural groups were completed. In 1934 a new movement propagandist Social Realism movement began as the only official art of the Soviet Union.

Vladimir Tatlin, a Corner Relief , 1915

Suprematism was the seventh Russian art movement began in 1915 until 1923. Its main figures were: El Lissitzky, Kazimir Malevich, Ivan Puni, and Aleksandr Rodchenko . was the first artistic movement that reduced painting abstract geometric figures only to get rid of real world references. In an essay Malevich Suprematism defined as "the supremacy of pure sensation" and traces its roots to Cubism and Futurism .

Kazimir Malevich, Krasnodar , 1916-17

Each movement has a specific name that says what it is visual movement. As you may have noticed, some artists' art is not static and that some of the artists were in several movements. Mariana you have to remember is that all these movements are known as the Russian Avant-garde, which occurred from 1890 to 1930. It is called so because they were seven new movement created by the Russians and that's all a very important event in the world of art.

hope my answer was to your liking.

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Who are the most important artists in collage? Why

Pablo Picasso, tavern with sugarcane Silla, 1812

George Braque, tavern with Tenora , 1913

George Braque, tavern with Tenora , 1913

Richard Hamilton, But what makes households today so different, so appealing? 1956

Lucas Samaras

Mimmo Rotella, Marilyn N.1, 2004

Henry Peach Robinson , The Last Moments , 1858

Who are the most important artists in the field of collage now and since its inception? Susana Lima Peru

Dear Susana, the term collage comes from the French coller (stick). Collage is sticking paper or objects on a flat surface. The collage was first used by Picasso in his Still Life with Cane Seat, 1912. Picasso painting rather than the seat of the chair, hit a fabric with the design of a cane chair to the table, that altered the distinction between reality and illusion in art.

Collage is not a style or movement, is a technique. There are collages in Cubism, Dada, Surrealism and Pop Art. George Braque was one of the pioneers of collage as it did many collages, as you can see in his work. Juan Gris Cubism and also made collages.

After the first collage of Picasso, the second most famous collage by Richard Hamilton with his work "But what makes today's homes so different, so appealing? 1956, which was the seed for the pop art was born.

Not many artists have used the technique of collage. Some of them are the English Sarah Lucas, Betty Saar, Miriam Shapiro, Lucas Samaras and Kurt Switters.

opposite of collage is decollage, where instead of pasting materials to a work, the establishment decollage tearing and cutting parts of the original image. The main artists of this technique are Mimmo Rotella, Francois Dufresne and Jacques Wolf Vostell VILLEGLÉ.

In photography terminology used to do what is called collage photomontage. This entails making a composite photograph of several negatives. The English photographer Henry Peach Robinson was the first to use this technique. Your Last Moments Photography, 1858, was the first collage. Susana

that's all I can say about collage, which is a very interesting way to do it, combining drawings with paper and only paper as it does in the decollage Mimmo Rotella. Currently, there are artists who stand out with this technique, the artists name if you excelled in his time, but the collage is not fashionable now, what is fashionable is conceptual art, installations and video art. I hope you liked my answer. Thanks for your question.
Augusto
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painting The Death of Marat is so important? What influence did

Michelangelo Piedad, 1498-99, 174 X 195 cm

Peter Paul Rubens, The Descent from the Cross , 1612-14, 420 X 310 cm

Jacques Louis David, The Death of Marat , 1793, 165 X 128 cm

why the painting The Death of Marat is so important? Adriana, Cali, Colombia


Dear Adriana, Jean Paul Marat was a doctor, writer and political scientist, polyglot English, French, English, Italian and German. Marat became a politician to help the French Revolution. He was the editor of L'Ami de Peuple (The Friend of the People). Marat was a radical impact for changes in the aristocracy.

The Death of Marat by Jacques Louis David in the Museum of Fine Arts of Belgium and is a historical portrait done to immortalize and make a martyr. Marat was a leader of the French Revolution of 1789. The portrait was commissioned by the National Convention, which was the assembly that governed the revolution. Marat was 49 when he died, but David did a portrait painted idealized because Marat is young, strong and healthy. He had a rare disease in his skin, it made when the police hid in the drains Royal Paris, so I had to work hours after hours of sitting in the bathtub with a wood and use it as a desk while taking medicinal baths.

David was a friend of Marat and his intention was to portray him as a secular man, but holy and make an example of virtue. Marat disease is not noticeable in the paint. There is reason for every detail in the table, there is an economy of objects and this is to make it more symbolic.

David takes the viewer as a witness in the room where Marat was stabbed, is dying and is in a bloodbath. Marat is seconds before giving his last breath, he still holds the pen in writing position with the left hand holds the paper delivered by the assassin Charlotte Corday. The paper says that someone needs help, "the friend of the people." David's intention to put the note is to be interpreted Marat was going to answer the note. Corday, a supporter of the aristocracy, tricked him to come to him and stabbed him when he read the note.

Marat has his eyes closed, smiling peacefully and very quiet, and sleeping. His almost lifeless arm falls into the same position of Jesus Christ of Michelangelo's Pieta sculpture. His head falls to the left side as the head of Jesus Christ from the Cross, made by Paul Rubens and Rembrandt. The two used the same head position. Marat's head is covered with a white cloth with vinegar that makes a turban and uses it against the skin disease he had.

Marat mortal wound and knife are seen in the shade. The petition of the murderer is well lit in the hands of Marat. His face, his arms and objects in the wooden box is a fusion of light, but his body has shadows, creating an interplay of elements. The folds of the fabrics also create harmony, giving a strong sense of realism.

natural light comes from behind the window of Marat because the shadows are in your body and under the paper. That means that the light is on the right is a spiritual light and shadow that does not work. The dark
back, which occupies half of the table, force the viewer to look at Marat and thus enhance the foreground where is Marat. The room is decorated, the blank wall and the wooden box were made to show that Marat was poor but wanted to help others. Yellow colors were used to soften the horror of the scene, and the spiritual light of the right is to show that the sky is calling. The painting was done in a rectangular shape vertically, pointing to heaven where he would go after the death of Marat.

The paper over the wooden box says "your money you will give this mother of 5 children whose husband died defending the fatherland" With this note Marat David wants to make a hero and a saint who was willing to help in the difficulties the people of France, and is therefore "the friend of the people." Although patient was always willing to help others.

David plays with the space of painting, making the wooden box on the edge of the picture plane. The money and the note are as close to the edge of the wooden crate that is in the space of the observer. If someone opened a window in the room, the wind botaría at the foot of the beholder.

Adriana, you have to remember is that this painting is considered the most important painting of David because his intention of making a martyr Marat, with simplicity and virtue are felt by the observer. David, who was a professor of art, religious iconography used pasado para hacer a Marat un héroe de la revolución. La pintura causó mucha pena en su tiempo y todavía lo hace hoy día.

Gracias por tu pregunta Adriana. Me gusta esta clase de preguntas sobre la lectura o interpretación de las obras famosas.


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